Contributors (Regular and Guest Writers)
Jon Fielder - Creator/Contributor/Primary Editor
Jon Fielder is a composer of experimental electroacoustic and acoustic music. He is also a music theorist and researcher with specialities in sound diffusion, multi-channel array systems (structure and history), New Complexity and mathematical approaches to music composition. Jon received a DMA in composition from the University of Texas at Austin, a MM from Bowling Green State University, and BM degrees in both composition and theory from Ohio University. His music has been presented at conferences and festivals including SEAMUS, ICMC, Toronto International Electroacoustic Symposium, Electronic Music Midwest, the EA Barn Dance, North American Saxophone Aliance, International Double Reed Society
Website: www.jonfielder.weebly.com
Jon Fielder is a composer of experimental electroacoustic and acoustic music. He is also a music theorist and researcher with specialities in sound diffusion, multi-channel array systems (structure and history), New Complexity and mathematical approaches to music composition. Jon received a DMA in composition from the University of Texas at Austin, a MM from Bowling Green State University, and BM degrees in both composition and theory from Ohio University. His music has been presented at conferences and festivals including SEAMUS, ICMC, Toronto International Electroacoustic Symposium, Electronic Music Midwest, the EA Barn Dance, North American Saxophone Aliance, International Double Reed Society
Website: www.jonfielder.weebly.com
Kramer Elwell - Contributor/Design
is a composer, percussionist, improviser, and sound artist currently based in Santa Barbara, CA. His acoustic and electroacoustic works attempt to create massively rich timbral spaces and soundscapes, spin cryptic and surrealist narratives, and find atypical avenues from which to perform new music. This includes any combination of graphic or multimedia notation, improvisation, computer programming, installation, or interdisciplinary collaboration.Kramer's works have been performed at festivals and conferences at home and abroad. Some events include the SEAMUS National Conference, The International Computer Music Conference, Electroacoustic Barn Dance, The SPLICE Institute, and more. Kramer is currently pursuing a PhD in Music Composition and a Master of Science in Media Arts and Technology from the University of California Santa Barbara- studying with Clarence Barlow, Joao Pedro Oliveira, Curtis Roads, Andrew Tholl, and Karl Yerkes. He also holds a Master of Music degree in music composition from the University of Texas at Austin as well as two Bachelor of Music degrees from Western Washington University; one in Music Composition and one in Percussion Performance.
is a composer, percussionist, improviser, and sound artist currently based in Santa Barbara, CA. His acoustic and electroacoustic works attempt to create massively rich timbral spaces and soundscapes, spin cryptic and surrealist narratives, and find atypical avenues from which to perform new music. This includes any combination of graphic or multimedia notation, improvisation, computer programming, installation, or interdisciplinary collaboration.Kramer's works have been performed at festivals and conferences at home and abroad. Some events include the SEAMUS National Conference, The International Computer Music Conference, Electroacoustic Barn Dance, The SPLICE Institute, and more. Kramer is currently pursuing a PhD in Music Composition and a Master of Science in Media Arts and Technology from the University of California Santa Barbara- studying with Clarence Barlow, Joao Pedro Oliveira, Curtis Roads, Andrew Tholl, and Karl Yerkes. He also holds a Master of Music degree in music composition from the University of Texas at Austin as well as two Bachelor of Music degrees from Western Washington University; one in Music Composition and one in Percussion Performance.
Andrew Selle - Contributor
Andrew Selle is a Ph.D. candidate in music theory at Florida State University. He is currently finishing his dissertation entitled Experiencing Sound: A Hybrid Approach to Electronic Music Analysis. He also holds B.M. and M.M. degrees in music composition from Bowling Green State University. Andrew’s primary areas of research include electronic music, music cognition, and music theory pedagogy. He has presented his compositions and research at a variety of national/international as well as regional events, including the International Computer Music Conference, national conferences for the Society for Electroacoustic Music in the United States, Electroacoustic Barn Dance, and conferences at the CUNY Graduate Center, the University of North Texas, Louisiana State University, and the University of Arizona, among others.
Andrew Selle is a Ph.D. candidate in music theory at Florida State University. He is currently finishing his dissertation entitled Experiencing Sound: A Hybrid Approach to Electronic Music Analysis. He also holds B.M. and M.M. degrees in music composition from Bowling Green State University. Andrew’s primary areas of research include electronic music, music cognition, and music theory pedagogy. He has presented his compositions and research at a variety of national/international as well as regional events, including the International Computer Music Conference, national conferences for the Society for Electroacoustic Music in the United States, Electroacoustic Barn Dance, and conferences at the CUNY Graduate Center, the University of North Texas, Louisiana State University, and the University of Arizona, among others.
